It’s true, anxiety over California’s future and a feeling among some that the state is headed in the “wrong” direction was another factor showing up in the study. Other California emigrants, untethered from their offices by the coronavirus pandemic, live even higher, combining their old incomes with their new profits. Expat Californians then often have enough left over to live sumptuously without needing a job. Some, in fact, buy twice their prior acreage and floor space in Idaho or Arizona, drawing resentment from longtime local residents by driving prices up to unaffordable levels for natives. So for some Californians, moving is the best way to make use of equity they’ve built by living in the same house for seven years or more.
1 destination of migrants from California) often cost less than half what homeowners here can sell for. In fact, similar-sized homes in Texas (the No. That’s been reported here and elsewhere for many years it’s stoked by the fact this state’s real estate is far higher priced than similar properties in other states. The same study that drew the headlines by breathlessly reporting very old news also reported that finances are the main reason Californians move to other states. It comes as no shock that they can get intrigued about the idea of moving again, especially if a move offers the opportunity for big-time financial advancement.Īnd it can. They’ve demonstrated some wanderlust previously, some curiosity about what life is like in a different place. Just over half of Californians, a far higher percentage than in any other state, already know what it’s like to move. So more than half the populace moved here from somewhere else. The reason given by those long-ago researchers: Wanderlust. That means 49 percent of Californians were considering moves during any typical seven-year span. That was 53 years ago, when researchers found an average of one in seven Californians at the time were moving each year, some within the state, some to other points. The purveyors of the supposedly newsworthy report never admitted their study is a virtual duplicate of one the Rand Corp. That mix of feelings has been fed by a steady diet of sometimes bogus news about California’s dropping population (far less than 2 percent over the last decade), which inspires many to think that if bunches of people are leaving, maybe there’s a good reason for it. Oops! How can the total of happy people and those thinking of moving top 100 percent by a big margin? Easy: Plenty of folks are ambivalent, as always they’re happy, but wonder if things might be even better someplace else. When a squarebound book is opened there is at least an eighth and maybe as much as a quarter an inch of the spine side of each page that the reader simply can’t see because it curves into the binding.It was déjà vu all over again when this state’s largest newspaper and three major non-profits published a study showing 40 percent of Californians are thinking of leaving the state, while 70 percent are happy here. It’s the simple physics of square-binding. What’s more if the spreads are ever printed in a square bound edition any word balloons or crucial artwork in the center of the spread will be lost in the spine.
For example, if you have a character gesturing or pointing or if you are depicting a certain facial expression on a character or revealing any visual of import to the scene or the story then you don’t want to risk that it might be unclear or distorted if the two pages don’t align precisely in the binding. Similarly, you should avoid putting any crucial element of artwork in the center margin area. If you place word balloons and text in that center margin area then those word balloons are going to be split, printed on two separate pages, and very likely not lineup properly when reassembled in the binding which will make them largely unreadable or at the least difficult to read. Hence the center margin area in the double spread template. Because of those steps we need a margin for error.
Unless your double spread occurs on the two center-most pages of your comic, then your double spread gets split, printed on two separate sheets of paper, and the binding simulates the look of a spread by then juxtaposing the two pages next to each other.
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